REVIEW: FRANKA DE MILLE – BRIDGE THE ROADS (2012)
When the pizzicato arpeggios of the cello are accentuated by neoclassical piano and a lilting, reedy accordian melody on Track 4 (“Gare Du Nord”) of Franka De Mille’s album, “Bridge the Roads,” it’s pleasantly hard to breathe. The two opening tracks, “Come On” and “Fallen”