REVIEW: GDP – USELESS EATERS (2011)
GDP has put forth his strongest effort yet with Useless Eaters. What makes this album stand above previous work from the West Orange, NJ rapper, born _____, is a seeming
Review: Chris Bathgate – Salt Year (2011)
I realized upon first listen that Salt Year, the latest release from Michigan’s revered Chris Bathgate, was a record that would affect my life in a very real way. I was
Review: Eisley – The Valley (2011)
The interesting thing about the band Eisley is the fact that casual Eisley fans are few and far between. Either you’re completely ambivalent about the Texas five piece
REVIEW: THESE CITY LIMITS – THE MODERN STANDARD (2012)
One of the perks (if not THE only perk) of reviewing albums is getting a free copy of a record before anyone else. In this case, Indiana’s These City Limits sent
REVIEW: TIMBER TIMBRE – CREEP ON CREEPIN’ ON (2011)
If there’s one person who shouldn’t be trusted to tell you to listen to Canada’s Timber Timbre, it might be me. After all, my review of the last release from the gr
REVIEW: LELIA BROUSSARD – MASQUERADE (2011)
I see big things for Lelia Broussard’s voice. It’s sweet but not annoying. It’s got texture, but not so much that she would narrow her audience. It’s original enough that y
REVIEW: LUPE FIASCO – LASERS (2011)
Today we welcome our newest contributor, Christopher Stoppiello. Christopher currently resides in Boston where he works in an office by day and writes music and fiction by night. M
REVIEW: HEMMINGBIRDS – DEATH WAVE (2010)
When I review a new album, I like to give it a couple listens before putting fingers to keyboard. I contend that the most important of these listens is what I refer to as the Morni
REVIEW: L’ALTRA – TELEPATHIC (2011)
It was up until recent when I started to become curious about what this whole Nouvelle Vaguemovement was in film. I would not say I’m a film buff, but after undergrad I unex