REVIEW: TITLE TRACKS – LONG DREAM (2016)
John Davis isn’t going anywhere. Debuting in 1998, Davis and his DC dance-punk trio Q And Not U explored the spastic, synthy, sweaty sound that seemed all the rage around the mil
REVIEW: THE RADIO DEPT. – RUNNING OUT OF LOVE (2016)
Somewhere at a private table in a swank nightclub in Stockholm, a cadre of beautifully Swedish leftists debate the Nordic Model and Swedish socialist party politics while listening
REVIEW: HISS GOLDEN MESSENGER – HEART LIKE A LEVEE (2016)
Throughout Heart Like a Levee, the latest record from criminally under-the-radar Hiss Golden Messenger, frontman M.C. Taylor fights with himself. As a working musicians who ha
REVIEW: TOUCHÉ AMORÉ – STAGE FOUR (2016)
The death of a parent. A “rite of passage” as described by Touché Amoré frontman Jeremy Bolm on “Posing Holy,” off the band’s new full length, Stage Four. An “in
REVIEW: ANGEL OLSEN – MY WOMAN (2016)
Angel Olsen has repeatedly said, in interviews and official press release, that she doesn’t want My Woman to read like a feminist manifesto, all the while acknowledging
REVIEW: THE ALBUM LEAF – BETWEEN WAVES (2016)
Over the course of seventeen years, The Album Leaf has evolved from the introspective, studio-based explorations of former Tristeza and The Locust member Jimmy LaValle, into a focu
REVIEW: RUSSIAN CIRCLES – GUIDANCE (2016)
Russian Circles enter their second decade fully confident in what it is they do. Guidance shows a band “at the top of their game” as they say, expertly crafting