REVIEW: HISS GOLDEN MESSENGER – HEART LIKE A LEVEE (2016)
Throughout Heart Like a Levee, the latest record from criminally under-the-radar Hiss Golden Messenger, frontman M.C. Taylor fights with himself. As a working musicians who ha
REVIEW: TOUCHÉ AMORÉ – STAGE FOUR (2016)
The death of a parent. A “rite of passage” as described by Touché Amoré frontman Jeremy Bolm on “Posing Holy,” off the band’s new full length, Stage Four. An “in
REVIEW: ANGEL OLSEN – MY WOMAN (2016)
Angel Olsen has repeatedly said, in interviews and official press release, that she doesn’t want My Woman to read like a feminist manifesto, all the while acknowledging
REVIEW: THE ALBUM LEAF – BETWEEN WAVES (2016)
Over the course of seventeen years, The Album Leaf has evolved from the introspective, studio-based explorations of former Tristeza and The Locust member Jimmy LaValle, into a focu
REVIEW: RUSSIAN CIRCLES – GUIDANCE (2016)
Russian Circles enter their second decade fully confident in what it is they do. Guidance shows a band “at the top of their game” as they say, expertly crafting
REVIEW: TY SEGALL – EMOTIONAL MUGGER (2016)
Ty Segall has had another beautiful baby in album form – this time without a mommy, apparently. An abrasively noisey baby with a lot to say, Emotional Mugger
REVIEW: MIDNIGHT RERUNS – FORCE OF NURTURE (2015)
Midnight Reruns’ sound is one that is compellingly carefree. The Milwaukee quartet creates songs perfect for soundtracking a roller-coaster ride, a Pete and Pete episo
REVIEW: BORN RUFFIANS – RUFF (2015)
RUFF is the Born Ruffians fourth album and it documents a band channeling through the refusal, frustration, unrest and even some acceptance of becoming just another
REVIEW: JUICEBOXXX – HEARTLAND 99 (2015)
The first time I ever saw Juiceboxxx was at the now defunct Darling Hall in Milwaukee in 2006 (it was close to Conejito’s if you know where that is). His live performance was an