REVIEW: HELLO DEATH – REMNANTS (2015)
“Sometimes all it takes to truly be great is that it’s not so bad as the last time that you tried.” Whether in an attempt to reassure themselves or downplay the record to come, Hello Death begins their sophomore release with what could almost have been written as an ode to follow-up a
REVIEW: VOLCANO CHOIR – REPAVE (2013)
It took three years for Wisconsin natives Volcano Choir to release a follow-up to their impressive debut, Unmap. The time was well spent, since Repave proves to be an unsurprisingly beautiful study of the most relatable of human emotions. Incorporating images of regret, disillusion, s
REVIEW: HARRY OAKWOOD (MILLIONAIRE) – EP (2012)
Gimmicks don’t usually do it for me. However, in the case of Harry Oakwood (Millionaire), I have to make an exception. On their website, the London-based quintet claim they formed at the behest of of a millionaire backer who sought “to build a band of brothers who would serve him
Review: Bon Iver – Bon Iver (2011)
A few months ago, I made a promise: I would listen to Bon Iver’s self-titled album as it was “meant to be heard,” stoned and surrounded by good friends. I take drunken deals unusually seriously, so when the album came out, I held out on listening until the afternoon where all the proper f
Review: First Aid Kit – The Lion’s Roar (2012)
To say I’d been anticipating First Aid Kit’s sophomore album, The Lion’s Roar, is one hell of an understatement. Since 2008, I’ve been following Swedish sisters Klara and Johanna Söderberg through their dreamy world of folk-rock, and I still haven’t tired of them. Finally, I wen
INTERVIEW: FITZ AND THE TANTRUMS (LOS ANGELES)
It’s no secret that I’m a huge fan of LA darlings, Fitz and The Tantrums. Their insanely dance-able soul/funk blend had me hooked long before I saw them in concert. But the great thing about them is you don’t need to be a fan to enjoy their live shows. The Tantrums on stage are a group [&
Review: Florence + The Machine – Ceremonials (2011)
Florence Welch is a force of nature. Firebomb hair, voice like an avalanche, hurricane of dance moves; she’s an elemental juggernaut. Over the past two years, Welch and her Machine have been on an unstoppable ride, with snapshot performances from Saturday Night Live to Letterman to