Review: Blue Water White Death – Blue Water White Death (2010)
When Blue Water White Death announced its existence mere months ago via what kids these days call “The Pitchfork”, I literally squealed with excitement. Yes, readers, I, a full grown woman, squealed. To understand why, you must first understand that half of conceptual rock duo Blu
Review: Lookbook – Wild at Heart (2010)
Consider Lookbook the first band ever to capture my attention solely due to the videography in their music video. “Over and Over” is high quality slow-motion, so slow it draws your attention heavily to Maggie Morrison’s vocals despite the riveting guitar and pulsating kick drum from
Review: Alaska – Alaska E.P. (2009)
Music discovery is a funny thing. I’ve mentioned before how often I get new favorite bands gift wrapped and handed over to me like birthday gifts from good pals. Groups opening for an already beloved act? That’s a great way to give yourself some exposure to the little known and/or bran
Review: Castevet – Summer Fences (2009)
Chicago’s Castevet has undergone musical changes, tilting the light upon vocals and away from the musical landscapes crafted in Summer Fences. I had not known this digging into 2010′s The Echo & The Light. So when the album started spinning, this revelatory illumination b
Review: Bad Books – Bad Books (2010)
It’s strange when there’s an artist that holds a very special place in your heart for reasons unknown. You know, the kind that almost becomes a significant other to you over time, whose music is there when no one else is, who manages to just understand something about aspects of your personality
REVIEW: PEARLY GATE MUSIC – PEARLY GATE MUSIC (2010)
Mezzic readers, my name is Amber Valentine and I am creep. I don’t mean that in the sense that I like to repeatedly and perversely hit on underage ladies until restraining orders are threatened, but rather that I, much like Thom Yorke before me, am a weirdo. What the hell am I doing here? Well, [&
REVIEW: AGENT RIBBONS – CHATEAU CRONE (2010)
I’ll be completely honest with you, Mezzic readers. I got into Agent Ribbons for one reason and one reason only: I found their lead singer, Natalie Gordon, ridiculously attractive. From her coy profile to her intimate body language to the fact that she was rocking the exact same sho
REVIEW: ANNA VOGELZANG – SECRET CEDAR ROOM EP (2010)
The transition between city and slow-going urban went rather quickly; from downtown Chicago to Madison. Up until this August, decisions on where I live are generally taken based on two factors: food and music. Chicago? Music, home food. Milwaukee? Brats, the Rave and Turner Hall. Lyon
REVIEW: PEZZETTINO – LUBDUB (2010)
Don’t get me wrong. I like Feist alright. St. Vincent‘s kind of cool. But even the most interesting of Pitchfork approved ladies these days have something severely lacking and what that is is weirdness. In fact, even the most lauded of female artists seem, to me, to border on “a