REVIEW: NUMÉRO# – SPORT DE COMBAT (2009)
In the tradition of French electro-pop comes yet another duo making sure those symbols get the spotlight, Numéro#. However they ain’t from Paris, but across our border in M
REVIEW ROUNDUP: STONE TEMPLE PILOTS, TIËSTO, NICKELBACK, CHIDDY BANG, PUDDLE OF MUDD, SKILLET, LINKIN PARK AND 2CENTS
2Cents – Get What?Given the following review’s mentioned tendency, 2Cents leans towards the harder end of the speed vs. heaviness spectrum. They cite Pennywise as inf
REVIEW: SIRIUSMO – THE UNINVITED GUEST (2009)
Setting this straight, American’s viewpoint of German music is woefully limited to Rammstein and commercials of college kids stuck with the Germans’ techno industrial
REVIEW: WE WERE PROMISED JETPACKS – THE LAST PLACE YOU’LL LOOK (2010)
I’ll admit I’m late to We Were Promised Jetpacks. Been slow at keeping up with Huw Stevens‘ stellar recommendations, of which I’m sure the Edinburgh outfit was on
REVIEW ROUNDUP: THE BRAVERY, LADY GAGA, CAVO, SEAN PAUL, ZAHO, H.I.M., MEGADETH, OK GO, SHAMAN’S HARVEST, AND HERZOG
The Bravery – HatefuckStir the Blood‘s lead single, “Slow Poison,” didn’t quite revive The Bravery as it should’ve. The beat lacked bite, a spark akin to “U
REVIEW ROUNDUP: HOLE, GODSMACK, COLD WAR KIDS, NEON TREES, LILY ALLEN, SEVENDUST, RED, AND SHINEDOWN
Cold War Kids – AudienceAn odd end in a collection of tracks compiled in the Behave Yourself EP, “Audience” brings the Cold War Kids back to the delightfu
Review: Cœur de Pirate – Coeur de Pirate (2008)
Remember the 80s? That decade dominated by bubbly pop or often synthesized keys? Or how about the highlighter colored clothing that threatened to temporarily blind you depending on
REVIEW: ALKALINE TRIO – THIS ADDICTION (2010)
Seven has been associated with This Addiction, whether covering the CD itself to the earplugs the band uses during their tour. The integer itself denotes either dread or luck,
REVIEW: DESSA – A BADLY BROKEN CODE (2010)
My first exposure to Dessa just so happened to be on one of the False Hopes that the Minneapolis collective, Doomtree, has been churning out over the 2000s. She’s