REVIEW: GAYNGS – RELAYTED (2010)
Alors the City of Love is world renown for pure, unbridled ecstasy and creativity oft of the sexual variety. The streets are full entranced lovers along the river, and les bacs (record stores) are full of the likes of Charlotte Gainsbourgs and Sebastien Telliers. T
REVIEW ROUNDUP: TRAVIE MCCOY, SHINEDOWN, LA ROUX, JUSTIN NOZUKA, 3OH!3, LADY GAGA, KE$HA
3OH!3 – My First Kiss (feat. Ke$ha)From copying Uffie to concocting pop music recalling the cringe-worthy influx of “pop punk” circa 2001 combines 3OH!3 and Ke$ha. Just like back then, ignore the lyrics; it makes swallowing this pill so good those commercialized side effects that hit
REVIEW: DEFTONES – DIAMOND EYES (2010)
Trauma has a peculiar way of turning up at the worst moments. Scotland Yard Gospel Choir underwent a horrific traffic accident that led Elia Einhorn into a neck brace to heal an injured spine…not mentioning the rest of the band that folioed Elia and rolled over five times. Or in the Deftone‘
REVIEW: SOPHIE HUNGER – 1983 (2010)
Monday’s Ghost carved out a deep precedent for the Zurich-born singer/songwriter who intricately and expertly borrows facets of jazz and folk to chip and shape her unique sound. First discovered at the Montreaux Jazz Festival, I had the chance to attend one of five consecutive performanc
REVIEW: NUMÉRO# – SPORT DE COMBAT (2009)
In the tradition of French electro-pop comes yet another duo making sure those symbols get the spotlight, Numéro#. However they ain’t from Paris, but across our border in Montreal. Sport de Combat skews towards dance in taking queues from Simian Mobile Disco more than fel
REVIEW ROUNDUP: STONE TEMPLE PILOTS, TIËSTO, NICKELBACK, CHIDDY BANG, PUDDLE OF MUDD, SKILLET, LINKIN PARK AND 2CENTS
2Cents – Get What?Given the following review’s mentioned tendency, 2Cents leans towards the harder end of the speed vs. heaviness spectrum. They cite Pennywise as influences, heard in the perfect start/stop ability perfected by their fellow Los Angeles musicians. Think “Bullet With A
REVIEW: SIRIUSMO – THE UNINVITED GUEST (2009)
Setting this straight, American’s viewpoint of German music is woefully limited to Rammstein and commercials of college kids stuck with the Germans’ techno industrial dance music. Outside of that I can’t really say much more about it all, at least until Berlin’s Siriusmo
REVIEW: WE WERE PROMISED JETPACKS – THE LAST PLACE YOU’LL LOOK (2010)
I’ll admit I’m late to We Were Promised Jetpacks. Been slow at keeping up with Huw Stevens‘ stellar recommendations, of which I’m sure the Edinburgh outfit was one such. Yet thanks to a recent brilliant bill at Lincoln Hall, they eluded my ears no longer. Just before and
REVIEW ROUNDUP: THE BRAVERY, LADY GAGA, CAVO, SEAN PAUL, ZAHO, H.I.M., MEGADETH, OK GO, SHAMAN’S HARVEST, AND HERZOG
The Bravery – HatefuckStir the Blood‘s lead single, “Slow Poison,” didn’t quite revive The Bravery as it should’ve. The beat lacked bite, a spark akin to “Unconditional” that “Hatef–k” (iTunes) manages to ensnare. It is dark, and danceable while driving its merciless