Kiss Kiss emerged out of New York, releasing Reality vs. The Optimist on Eyeball Records in 2006. Their EP (Eyeball Records, 2005) depicts a rougher dose
If you could hire Wes Anderson to produce a film and soundtrack to document yourself during those summers you reminisce over first
If you could hire Wes Anderson to produce a film and soundtrack to document yourself during those summers you reminisce over first
Opening the sleeve of Agony & Irony (Epic Records, 2008), you pull out a rather simple, but elaborate disc with the retro
A couple years ago, Cursive responded to The Ugly Organ (Saddle Creek, 2003) with a definite political-themed album interspersed with their unique spinning of
Years ago I opted out of doing the 1h20m drive into Chicago to catch a Kansas band, The Anniversary, a missed
Earlier this week I had to justify why Gogol Bordello put on the best show I had ever seen out of the
Gregg Gillis released Feed The Animals (Illegal Art, 2008) today à la the new model, throwing Girl Talk‘s latest online while promising those who